Pebeo Marbling

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Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......
Pebeo's Marbling colours are used according to a technique inspired by Japanese marbling on rice paper in the eleventh century (Sumi nagashi]. and then in Europe by nineteenth century bookbinders. It is the process of transferring colours by simple contact with the object to decorate, on a coloured surface. This technique requires patience and attention, as well as a little practice. It can be used in creations on all light surfaces: fabric, paper, card, recycled paper, wood, plaster, etc. On fabric, fix the colours to the iron after drying. FOR MARBLING ON LIGHT-COLOURED AND POROUS SURFACES SUCH AS FABRICS, PAPER AND PLASTER ......