Pebeo Setasilk

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Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...
Setasilk is used as a traditional colour and works on all types of silk: twill, ponge, crepe de Chine, crepe georgette, damask silk. Very easy to use, it can be fixed simply by ironing, Setasilk colours suit all silk painting techniques: outlines, salt sprinkling technique, watercolour, sun technique, wax batik, mahaju technique. The colours are ready to use and mixed together. They preserve all the silk's flexibility and offer a palette of rich, refined and bright colours. Do not hesitate to go over the wet colour for good unison. Before being worked, silk must be either stretched on a frame or placed on a fleece and fixed with an...